“The human body and its presence were both ingeniously central to Meredith Miller’s The Abduction, performed between the two Great Small Works pieces. Miller, an accomplished designer and burlesque performer, presented a sort of bodily mash-up of the forms. A series of curtained toy theaters mounted on her body, from her head on down, invoked the tantalizing anticipation just before the unfolding of any performance.”

—Ira Murphin for Chicago Art Criticism

The full review can be viewed here.

“Sketchbook has been one of the more reliable places in town to see the kind of experimental but entirely winsome ultrashort theater pieces such as Miller’s…a major standout…”

—Nina Metz, for The Sun-Times.

Read the full review here.

“Far quirkier is ‘I Wish You Love,’ Meredith Miller’s little act-without-words in which the enchanting Miller, looking like a delicate 1920s flapper and decked out with a tall ship model for a headdress, sails hopefully toward a guy (Mike Oleon) with a lighthouse on his head. She expects a safe harbor, but it doesn’t quite turn out that way in this little gem of a piece.”

–Hedy Weiss, for the Chicago Sun-Times.

Read the full review here.