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November 5, 2012 at 1200 × 800 in Pale Hands I Loved
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ABOUT

Variously referred to as the “Buster Keaton of Chanteuses” and “the demented love-child of Marlene Dietrich and Lucille Ball,” American singer/performer Meredith Miller evokes a classic, old-fashioned, 1930s glamour that is both stately and timeless.

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PRESS

Meredith Miller sang “Mack the Knife” with a thousand-yard stare during blood and bile/brecht and weill, unfolding swatches of burlap stained with silhouettes in blood—it was like a graphic-novella-as-crime-scene, the worms and beetles that scurry out if you peek at the mud under Sinatra’s Rendition.

— Zac Whittenburg, dance editor for TimeOut Chicago
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